Shared Presence

While Sitting


Shared Presence

A Long-Term Portrait Project in Auckland

I haven't been in Auckland long, and almost everything still feels unfamiliar. But over time, I've come to realize that you can't really get to know a place just by walking around. You have to get to know the people who live there.

I've always been curious about people.
What does everyday life look like for them?
What matters most to them?
What do they notice that I don't?
If we spent an afternoon together, what might I learn?
I honestly don't know.

Maybe that's one of the reasons I keep drawing. For me, painting is something that brings me calm and joy—it's a way to slow down. It gives me the chance to spend time with people I might never have met otherwise. To look closely. To listen carefully. Sometimes to talk. Sometimes just to share a quiet afternoon together.

"Shared Presence" grew out of that very simple idea.

We genuinely invite anyone who'd like to take part to join in.

I hope people who are interested will come in without any pressure—wear whatever you usually wear, and if you feel like dressing up in something wild just for the fun of it, that'd be exciting too. Bring along something you like to hold in your hands, or even a pet. Sit however feels most comfortable to you. I'll do my best to get to know you, to observe carefully, and to turn that shared experience into a drawing. We both want a good drawing to come out of this, right? A piece that carries the memory and experience of the time we shared.

We'll spend about two to three hours together.
During that time, I'll be drawing. If conversation flows naturally, and if we can find a way around any language barrier, we can talk about whatever comes to mind. Or we can just enjoy the quiet. I'll also take some photos, as reference for later work.

Some of these sketches and photos may eventually become studio portraits. If that happens, I'll share the finished piece with you—and I'd genuinely love to hear what you think.

Sometimes, the story ends there.
Other times, it might become the beginning of another painting.

Let's see where it goes.

I hope that, over time, these portraits can grow beyond being just individual pieces.
Perhaps they'll quietly come together and reveal something real about Auckland—the diverse people, their stories, and the everyday life of this city.

If this project eventually turns into an exhibition, everyone whose portrait is included will receive a copy of the exhibition catalogue and a high-quality print of their portrait, as a way of saying thank you for taking part.

Before the project begins, I'll give each participant a clear explanation of what it involves, along with a consent form that outlines how the drawings and photos will be used—so you can feel completely at ease when deciding whether to join.

Thank you for reading this far.
Maybe our paths will cross one day.

function toggleText() { var moreText = document.getElementById("more-content"); var btnText = document.getElementById("toggle-btn"); if (moreText.style.display === "none" || moreText.style.display === "") { moreText.style.display = "inline"; btnText.innerHTML = "Read Less"; } else { moreText.style.display = "none"; btnText.innerHTML = "Learn more about the project"; } }

2026








About Qing Lin

Qing Lin is a visual artist working across painting, drawing, and photography. He graduated from the Central Academy of Fine Arts in Beijing in 1993.Before focusing on contemporary painting and portrait-based projects, he worked extensively in illustration and visual communication. His works have been published in a range of Chinese cultural and literary publications, and he has created illustrations for internationally recognised literary works including Childhood, Resurrection, The True Story of Ah Q, The Old Man and the Sea, Hamlet, and Selected Poems of Pushkin.His painting works are held in the collection of the National Centre for the Performing Arts in Beijing. Selected works include Gathering at the National Centre for the Performing Arts (2010), Portrait of Giuseppe Verdi (2012), and commissioned portraits of Pyotr Ilyich Tchaikovsky and Anton Bruckner (2016).His current artistic practice explores portraiture, human connection, and the relationship between individuals and their surrounding environments. Through direct observation and long-term engagement, he uses painting and photography to explore how personal stories and shared experiences shape our understanding of place.Now based in Auckland, New Zealand, Qing Lin is developing the long-term portrait project Shared Presence, which explores encounters, belonging, and everyday connections within Auckland’s diverse communities.


For enquiries about Shared Presence, participation, or collaboration, please feel free to get in touch:

Portrait Study
Pastel on canvas 101.6 × 76.2 cm

Portrait Study
Pastel on canvas 76 × 76cm

Portrait Study
Pastel on canvas 90 × 70 cm

Portrait Study
Mixed media painting on canvas 120 × 100 cm

Portrait Study
Mixed media painting on canvas 160 × 130 cm

Portrait Study
Mixed media painting on canvas 100 × 80 cm

Portrait Study
Pastel on canvas 109 × 79 cm

Portrait Study
Mixed media painting on canvas 160× 130cm

Portrait Study
Mixed media painting on canvas 150× 120 cm

Portrait Study
Mixed media painting on canvas 90 × 60cm

Permanent Collection of the National Centre for the Performing Arts, Beijing
Oil on canvas, 700 × 240 cm

Permanent Collection of the National Centre for the Performing Arts, Beijing
Oil on canvas, 80× 60cm

Permanent Collection of the National Centre for the Performing Arts, Beijing
Oil on canvas, 80× 60cm